Director
Priyadarshan can safely be labelled as the king of
remakes. Not surprisingly, for his latest venture
Billu (earlier titled Billu Barber)
he borrows the story from the original Malayalam
film, Katha Parayumbol. This is the second
time that this critically acclaimed film is being
remade after last year's heavily panned and box
office disaster Kuselan featuring Rajnikanth.
Keeping this in mind and also Priyadarshan's recent
decline as a prolific director, I went in with
absolutely zero expectations. I just didn't want to
witness another Priyadarshan film like Mere Baap
Pehle Aap. Sadly enough, Billu
disappointed me even with those low expectations.
Billu is that kind of a film which defies the
practice of good filmmaking and is solely aimed to
rake in the moolah while the initial hype lasts.
If you tend to use
the idiot box frequently then you must have
witnessed the aggressive promotions of Billu,
many of them being the "item" numbers featuring
Shahrukh Khan and his gang of pretty ladies. That's
very much what you get to see during the film's
first half without much story progression taking
place. However, the film's premise is promising
which is based on the bond of friendship that Lord
Krishna shared with his childhood friend Sudama.
Here Shahir Khan (Shahrukh Khan) is the rich guy and
Billu (Irrfan Khan) is the somewhat impoverished
friend.
The film tells the
story of how these two childhood friends go on their
separate paths early in their life to achieve
different heights. While Shahir achieved his dream
of stardom and the riches, Billu was content with
his simple and humble life as a barber in Budbuda
village. Billu's life takes a U-turn when Shahir
arrives in Budbuda to shoot for his next film.
Villagers are thrilled about the filmstar's arrival
and every other person is desperate to get a glimpse
of him including Billu's wife and two children. When
the village folk learn that Shahir Khan was Billu's
childhood friend, they leave no stone unturned to
please Billu so that they can somehow get to meet
the superstar through him. Meanwhile Billu is
hesitant to meet Shahir as he feels that he would
embarrass himself with his shabby state. What
consequences does Billu have to face for his
hesitance and how does he finally meet Shahir Khan?
That forms the crux of the remaining story and its
climax.
Priyadarshan hasn't
really made a film that he should be genuinely proud
of since Hera Pheri and that was way back in
2000. The films that followed were either formulaic
entertainers or so-called comedies like Mere Baap
Pehle Aap and Bhagam Bhag. Harsh but
true, he hasn't evolved much as a filmmaker and it's
rather sad because he's the man behind brilliant
films like Kala Pani and Virasat.
Unfortunately Billu has only extended his
list of ever-growing duds. Billu doesn't have
Priyadarshan's trademark comedy nor the intense
dramatic depth. Even the characters look like
extensions from his previous films. Blame the
writers for that. While the original story has been
credited to Sreenivasan, the screenplay for Billu
has been adapted by Mushtaq Sheikh, who has
previously scripted Om Shanti Om. Sheikh's
adaptation is uninspiring, devoid of creativity and
doesn't have a well-formed structure.
The
film doesn't get to its intended point until the
intermission and quite annoyingly many scenes tend
to be repetitive ultimately leading to a very
predictable and forced emotional climax. Dialogues
by Manisha Korde are average and SRK's lines for the
climax seem to written in a hurry. Not to forget,
the film totally deviates from its plot when
comments are passed about film-star "Abhay" Kumar
(no guesses on who "Abhay" is!) and SRK making a
statement or two about the film fraternity being an
united family etc. I also noticed some serious
glitches in the writing, such as SRK shooting for a
futuristic action sequence in the village as though
film studios have become extinct and Lara Dutta
looking glamorous with full make-up throughout the
film when she's expected to be a wife of a
poverty-stricken village barber.
Irrfan Khan as Billu
the barber (or rather hairstylist to be
"non-controversial") is the only saving grace of
this average film. He delivers a good performance
but not one that can raise the bar of his previous
work. Billu as a character had immense potential to
become memorable, something like Munnabhai or even
Gabbar Singh, but poor writing plays the spoilsport
again. Lara Dutta is completely miscast as Billu's
wife. The casting director should have watched the
actress in Mumbai Se Aaya Mera Dost before
casting her in Billu. She needed a de-glamorized
look and more importantly some lessons about the
mannerisms of a village woman.
I'm not sure if
Shahrukh Khan made a cameo or almost appeared as the
lead actor. Whatever that may be, he isn't too
impressive and fails to live up to the magnitude of
his character. His emotional breakdown in the climax
looks like an extension from K3G. Now the
actual cameos by the three ladies; Deepika Padukone,
Priyanka Chopra and Kareena Kapoor, are quite
forgettable. Blame that on garish make-up,
unbelievably poor costumes, tacky sets and bad
choreography. Rajpal Yadav is hilarious as always,
especially in the film's finale. I wish he was given
a little more screen time. The rest of the
supporting cast is strictly average, mostly
comprising of Priyadarshan regulars like Om Puri,
Asrani and Manoj Joshi.
Pritam's music is
purely for the masses and doesn't have much to offer
in terms of variety. The soundtrack is of-course a
huge hit in the markets but in context of the film's
plot, it doesn't work for me. Billu Bhayankar
is the only decent track which has been penned by
Gulzar. Technically the film is average to good.
Special effects by Red Chillies VFX are amateurish.
Ditto for art direction where attention to detail
has been overlooked. For example, the likes of Vogue
and Cosmopolitan magazines are seen in the village
news stands and Billu's house looks unusually large
from the exterior considering his poverty-stricken
state. Editing by Arun Kumar isn't crisp enough and
some scenes which appear repetitive require
trimming. V. Manikandan's cinematography is
commendable with some scenes framed and shot
exceedingly well.
I did not get much
positive feedback from the audience that was seated
with me and that's surprising for a film that
features SRK. Overall, Billu is a forgettable
Priyadarshan film that tries too hard to be
commercial and in the process loses the charm that
the story could have offered in abundance.
Priyadarshan can still make wonderful films like he
used to, but before that he needs to get rid of his
obsession with remakes. I'm aware that Billu
is red-hot in the film distribution circles and it
will probably get a fantastic opening at the box
office. Whether it will sustain or not is the big
question. I wouldn't be surprised if it doesn't.
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