Promotional music videos seem to be the biggest
thing with films lately. Most recently, Bluffmasterís Right Here Right Now was
used to promote the film and it was a major success! Furthermore,
ďChuckmasterĒ Rohan Sippy and Vishal-Shekhar join hands once again for yet
another promotional music video in the Milan Luthria directed Taxi No. 9211,
starring Nana Patekar, John Abraham and Sameera Reddy in lead roles.
Rohan Sippy has roped in the trend-setting duo of Vishal-Shekhar to compose
all the songs this time. Itís safe to say that V-S are finally back on track
with their last full-fledged soundtrack, Home Delivery, their Right Here Right
Now, in Bluffmaster, and their three compositions in Zinda. These guys have
reached a high for a reason: Charismatic composition with a twist! Thatís right;
these guys can take any kind of music and put their own special twist on it to
bring you something you probably havenít heard before. Taxi No. 9211 is no
different, as it showcases their innovative skill of versatility yet again.
The lyrics are written by Dev Kohli and Vishal Dadlani himself.
Letís waste no time and get straight to the number that has got the media
turning heads and as of February 8th, will have all of India in frenzy! Meter
Down, rendered by Adnan Sami is the piece that will be featured in the music
video that is scheduled for airing on Feb. 8. The video actually has Nana
Patekar, as a taxi driver, dancing alongside some vivacious lasses. Howís
that for a twist! Nonetheless, V-S have created a wonderful composition that has
Adnan singing like heís never sung before! If you think youíve heard all of
Adnan Sami in his romantic pop albums, then youíre in for a very pleasant
surprise! And the music is as pleasing as the vocals. Vishal writes for a
non-romantic piece this time and succeeds once again. This track also appears
later on in the form of a Rock n Roll Mix by Guru Sharma. Even if you
donít want to listen to this track itís going to be all over the T.V. So get to
Next up we have one of my favorite pieces, Aazmaale Aazmaale. Ever
since I heard Chaha (Supari) I loved Shekhar Ravjianiís voice. Itís a shame
we donít get to hear more of him. Fortunately, heís featured in his own
composition with this track and does a fantastic rendition. The sweet melody
combined with the heavy composition make for a beautiful track. I love the
inclusion of the guitar, as it makes for an even sweeter listen. Dev Kohli
impresses with his lyrics on acceptance, as he refrains from following any
clichťs. A simply marvelous piece!
Bappi Lahri makes a rare feature appearance in Boombai Nagariya. This one
took a few listens to grow on me, but after a few exposures, the song is quite
entertaining. Although Lahriís rendition isnít really anything to talk about,
the Nana Patekar dialogues and Vishalís lyrics are. Vishal also makes a limited
appearance with his reggaeish vocals. Give this one a chance; it will eventually
earn a place on your play list. This appears as a Club Mix by Guru Sharma as
Next up we have the light ballad by Shaan in Bekhudi. Shaan picks up
right where he left off in his superb pop album Tishnagi. For lovers of soft
ballad numbers, this one is a sure winner. When Shaan is present, vocal prowess
is a given. But V-Sís composition is also quite impressive in its simplicity.
They donít flood the piece at all and only allow the powerful play of the
electric guitar when appropriate. Dev Kohli writes on the uncertainty of
tomorrow. Bekhudi is a lovely piece, and deserves attention from one and all.
Udne Do is the one track the pales in comparison to the rest of the songs.
Vishal-Shekhar have earned the nickname ďTechno Wizards,Ē but this isnít one of
the reasons why. Although itís not bad, it doesnít look that good when
placed next to the likes of some other songs in Taxi No. 9211. Kunal
Ganjawala sounds normal. Harshdeep (last heard with Vishal-Shekhar in Karame) is
the best part of the song with her Punjabi interludes. I guess the reason
this song fails is because V-S donít provide much variability in the music. This
causes the piece to drag. Kohliís lyrics donít help the piece much either. This
track may make a few limited appearances at clubs for a short period of time.
Iíve saved the best for last with Ek Nazar Mein Bhi. This is simply a
phenomenal track and by far the best of this very young 2006. It draws a
parallel to V-Sís earlier tune in Dus, Saamne Aati Ho Tum, but has its own
fantastic qualities. I could go on and on about the composition, but it does no
justice to Vishal and Shekhar if I simply list the qualities of their music. Go
listen to it! K.K. sounds so phenomenal that I didnít even recognize it was him
during my first exposure. Sunidhi Chauhan is excellent in her limited role.
Songs donít get much fresher than this! Vishal carries the trend of quality into
the lyrical department, as he re-writes romance with a great twist. Final
Verdict: A sparkling number that does nothing but dazzle!
Taxi No. 9211 is the best soundtrack of the year so far. The filmi
music scene seems to be conquered currently by some of the youngest sensations:
Vishal-Shekhar, Pritam, Shantanu Moitra, and Salim-Suleiman. If the music is any
indication, then Taxi No. 9211 should be one hell of an entertaining film.